It must be time for penitence
April 3, 2008Chronic Town. Released Augst 24, 1982.
Five simple songs:
1,000,000
Stumble
Wolves, Lower
Gardening at Night
Boxcars (Carnival of Sorts)
I’m attempting to eschew nostalgia in these reviews. We’ll see how I do. Listening to this album again, almost non-stop for three to four days, I’m amazingly impressed.
It’s a lot darker than I remembered, with only Peter Buck’s (I refuse to say ‘jangly’) light guitar riffs to pick the album up. Otherwise, I’d think this was a Joy Division rip-off.
Listening to ‘1,000,000′, the opening track, I was struck by how much it sounded like a cheap copy of early R.E.M. It’s the boys working it, doing their best, but you get the sense that the fills and breaks in the song came in because they were thinking, ‘uh, what GOES here?’.
Next comes ‘Stumble’ which JM Stipe famously kicks off with the word, ‘teeth’ as he bites his chompers down. An ok, but sort of boring song that doesn’t live up to the potential of Bill Berry’s opening beat.
Wolves, Lower is where the record gets GOOD. The super clean opening riff, Stipe’s little scream. ‘Suspicion yourself, suspicion yourself, don’t get caught’. Brilliant.
From here out, the nature of the band is pretty clear. They have the drive and the desire. They have the hooks and the beat, but they don’t yet have the talent.
For you regular ‘Dirt’ readers, it will come as no shock that I enjoy a little time alone. Thankfully, I’m left handed, so nobody shaking my hand ever has to wonder. The right one is pristine.
Chronic Town is a lot like a wonderful jerk off, but without the grand finale. You feel the pressure build all through the album. And the suspense gets greater and greater. You tense up. You feel the pressure build. You want to take it over the top. Thankfully, Chronic Town leaves off in that wonderful millisecond after release but before climax - the exact moment of zen when it comes to self love.
You sense that Berry/Buck/Mills/Stipe want to take it further, but simply can’t. They don’t have the ability yet, and each song is born of the frustration of not being able to finish what they started. But it’s beautiful.
It’s a brilliant debut by any standards and, had I heard it in late summer of 1982, I’d be pretty fucking psyched about what was to come next. What was beyond the moment of epiphany? Murmur. Coming up soon.
